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We have artist and designer sections with info on more than 13,000 posters. Check out the great work by Drew Struzan, Saul Bass and Luigi Martinati, for example.If you are an artist or design company and want to be listed on CineMaterial don’t hesitate to contact us here!
Did you know that during the communist-era a lot of surreal movie posters were created in Poland, as an alternative to banned U.S. publicity material? Some are true works of art! Make sure to have a look at our section of classic Polish posters.
Movie posters, wall art, and movie artwork were staples in every room during the ’90s. They captured the essence of a film in a single image, showing visitors what you’re about and the type of movies you love. Movie canvas art was always used for this purpose. In our collection of movie paintings, you can find a horror film poster with dark themes or a comedy poster featuring bright colors and humorous imagery to set a light-hearted tone.
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Whether you’re updating a Facebook page or personal profile, a professional cover will help you stand out. And thanks to the Desygner app, you can create your cover the moment inspiration strikes. Snap a photo, open the app, upload the file and start designing.
Enhance your LinkedIn profile with a polished, tailored cover photo that aligns with your professional image. Showcase your expertise and set the tone for your profile with a design that speaks to your career achievements.
Looking to make an unforgettable first impression on your Facebook page or personal profile? A standout professional cover is your answer! Dive into a world where your creativity meets convenience with the Desygner app. The next time inspiration hits, just snap a photo, launch the app, and effortlessly upload your masterpiece. With just a few taps, you’ll be on your way to designing a cover that captures your audience’s attention and sets you apart. Don’t just blend in – shine bright with Desygner!
Yes, there are a variety of design generators available on Venngage. Along with the AI Cover Photo Generator, Venngage offers tools to create infographics, social media posts, reports, and more. These AI design tools are easy to use and customizable, helping you generate professional visuals quickly to match your style and needs.
Yes, the AI-generated cover photos created using Venngage’s tools are copyright-free. You can use them for both personal and commercial purposes without any restrictions on copyright. However, it’s always good practice to ensure that any externally sourced content you include is also cleared for use.
Make sure your LinkedIn Background image combines your personality with your skill set to help you stand out from the rest! Each touch point is a chance to make a lasting impression on potential employers and business connections.
Cinematic artwork
Such is the case with this scene from The President, whereby the set pieces and positioning of actress Jacoba Jessen reflect that of Whistler’s Mother. Dreyer was explicit regarding his admiration of Whistler, and the quiet intensity of this great artist’s work is repeated throughout the film.
However, before the film becomes the artistic past we believed to be lost forever, art has already made its way into the plot. As Gil and Inez, our main characters, roam around Paris, they inevitably stop by the Musée Rodin. Known for its outdoor sculptures, the museum provides an interesting backdrop for an intellectual dispute over Rodin’s life story. As the conversation takes greater proportions, we come to recognize that the experience of viewing art needn’t always be informed by biographical details. Most of the time, masterpieces such as The Thinker can stand on their own, only heightened by the additional information of their origin.
Across the years, we’ve seen multiple James Bonds and even more backdrops for his perilous adventures. Yet, as Daniel Craig’s character fears, the old is always up against the new. Perhaps this is why 007’s first meeting with Q takes place at the National Gallery in London. Seated in front of J.M.W. Turner’s The Fighting Temeraire (1839), the two discuss the limitations of youth and the strengths of experience.
The fifth vignette in Kurosawa’s film has fellow director Martin Scorcese refining his Queens accent to portray Dutch painter Vincent Van Gogh. We experience this segment through the daydream of an aspiring artist who finds the great painter sketching at his easel in a wheat field. After explaining how he came to lose his ear, Van Gogh tells of his urgent need to paint as much as possible before the daylight fades.
Theo’s work is almost always cinematic, even though he paints mere single moments. What precedes and proceeds from his paintings is left to the imagination and this invitation to the viewer is part of the romance that is at play. We can always watch a movie and be swept up in its story, but afterwards we are removed, inevitably, to some extent. The beauty of a painting is the way in which the viewer is as involved as the painter in the construction of the story and drama. The way in which the painting comes to life is up to you and can involve your own ideas and life experiences. The blurred lines of cinema and painting are not mutually exclusive, but opportunities for artists and viewers of art to find their voices and express themselves in exciting and innovative ways. It is in this way that Theo’s work never fails to enthrall and ignite our imagination, in spite and because of the unavoidable influence of movies on our collective aesthetic.